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RAS is inspired by the use of folding, namely, the art of origami, to create complex topological forms from flat thin sheet materials.

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In this article we will frame Origami’s historical context, we will define the various types of Origami and explain their geometric rules. The second type, called shaped, sees the surface subjected to a tessellation made up of polygons and hinges, chosen to achieve a specific configuration.

Toward Building Smart Self-folding Topology. The first type, defined chaotic, sees the plane subjected to a very dense, messy tessellation. Between these two states, the form takes infinite possible configurations, always controllable by the geometry. The user can manipulate a small scale model of the surface and evaluate at all times if it is achieving the desired geometry.

Once arriving on the site, it can be reconfigured to work for various spatial functions. This paper aims to present the ancient art that is Origami, its origins and its intrinsic geometry in order to demystify the idea that Origami is a children’s hobby and demonstrate that it is plegduras quite complex and can bring answers in a variety of contexts. This paper aims to present the ancient art that is Origami, its origins and its intrinsic geometry in order to demystify the idea that Origami is a children’s hobby and demonstrate that it is something quite complex and can bring answers The drawing supposes probably the most valuable tool to see, not only to look, architecture.


The shape evolves within a range of variation between two values; at the initial one it is lying on the floor, in the final one, the shape it can no longer move because the sides or vertices of the parts of which it is composed are touching.

A rapid note of the Opera of Oslo shows here alone the indispensable thing: This architectural skin comes from two-dimensional sheet materials that can be prefabricated and assembled off-site and then shipped flat to the site, thus tremendously reducing the required arquitecttura of energy and resources in comparison to conventional structures.

The main element of origami, the fold, becomes a hinge that allows movement; the rigid face becomes the typical element of construction.


The portion of the tessellated surface, the result of the set of rigid elements appropriately bound, is proposed as a new subject of study, which we have called the articulated folded surface. The third type, termed structured, is determined by dividing the plane into groups of faces and folds equal to each other, allowing the surface to take on many configurations in space.

This paper reports the initial development of a kinetic system based on an origami foldable surface actuated by a arauitectura. Log In Sign Up. We are the first fugitive of our notebook of trip. The plane may deform assuming infinite configurations in space. Focusing specifically on the Yoshimura pattern, the RAS project explores its potential for being an architectural fabric for temporary use.


In order to appreciate the characteristics of the articulated folded surface, we used various methods of representation, from two-dimensional modelers to virtual ones, and from physical three-dimensional modelers to parametric ones.

Click here to sign up. The present research aims to investigate the possible configurations that a surface can take in space once one creates a tessellation with folds that allow transformation. T6 Ediciones, Universidad de Navarra,pp.

Architecture of Articulated Folded Surfaces. After folding the surface can assume different forms in order to create arquitectuea range of spatial configurations ordered arquitecrura a user through a remote control. Kinetic systems have been used by This surface aims to take advantage of the elastic capacities given to a planar material by its folding. This paper presents the initial results of this ongoing RAS project by identifying the following: We compute the extrusion direction to obtain a valid extruded Miura-Ori.

The denser the subdivision, the more the surface is able to adapt to specific configurations. Ads help cover our server costs. Form Finding and Making through Paper Folding.

The cinematographic record of the eye, our vision in movement, our timeconceals often essential aspects from everything what surrounds us, folds of the visible thing only evident under certain conditions of attention and belonging to the place.