Bill Bruford – The Autobiography has ratings and 37 reviews. Dan’l said: This is, quite possibly, the best autobio I have read by a popular musician. Bill Bruford: The Autobiography jazz article by John Kelman, published on March 2, at All About Jazz. Find more Book Reviews articles. [Editor’s Note: The following is an excerpt from Bill Bruford’s The Autobiography, first published in by Jawbone Press, but receiving the.

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Album Showcase Buy Now. Rather than follow the standard linear chronology of most biographies, he takes as his starting point those interview questions that have cropped up time and again, and from each one augobiography an entertaining and insightful chapter on the vagaries of pursuing sometimes wilfully uncommercial music over several decades in autoobiography industry that relentlessly pursues the bottom line and the next big thing.

It shows what music is really about and, in case you are a musician, it leaves a legacy of unprecedented knowledge for a future musical development. Goodreads is the world’s largest site for readers with over 50 million reviews. View as a separate page. Write a customer review. Bruford has a beautifully dry wit, occasionally a prickly one, and is old and wise enough to be able to reflect with acute perception on his own storied csreer, the music business, the worlds of big time rock and small time jazz and the gulf that separates them, and on his many acquaintances with well-known musicians.


It seems as if Bruford could relate to that. Seems Like a Lifetime Film Reviews Green Book: Customers who viewed this item also viewed.

Excerpt: ‘Bill Bruford: The Autobiography’

European Jazz – Tales of Etruscan No trivia or quizzes yet. About Bill Bruford Bill Bruford’s professional musical career began in Want to Read saving….

While doing interviews, Bill Bruford always came across as one of the most articulate and intelligent people in music. Refined language, just like one would expect from somebody like Bruford. That’s probably an overstatement, of course, but music covers a lot of different types of intelligence. As is proper to a jazz player, there is not so much a premeditated structure but a series of juxtaposed themes that run through the whole book, waxing and waning, foregrounded and backgrounded, in their turn.

I still love his work. From just the book perspective it has some real insights but is very disjointed and autoibography at points.

It’s a fascinating insight into the industry, in which Bruford examines the mechanics of business and the nature of the relationships between performer, co-performer, audience, producer, manager and of course family. Then he moved into jazz, where he enjoyed success with his own group, Earthworks, but on a necessarily reduced scale. So he didn’t have the obligation of taking any job that came along just to pay the bills.

A great beuford for any music fan, but particularly if you’re into prog rock Yes and the like.


Excerpt: ‘Bill Bruford: The Autobiography’ : NPR

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The Autobiography is his memoir of life at the heart of prog rock, art rock, and modern jazz. Reading the book I learned that things are not, in a way, as dramatic as I had feared his health’s OKwhile being much more dramatic than I feared, in a different way.

He repeatedly “circles in time” and returns to his periods of playing with Yes, King Crimson, Genesis, Bruford, and Earthworks. Membership has its privileges. The insider’s view into the “business” and profit-making of jazz music provides ample food for though to the initiated and uninitiated alike, although some passion – in the hidden depths of the sacred art of music – is required to sympathize with the tortuous path of the jazz warrior.

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