Get the guaranteed best price on Looper Effects Pedals like the Electro-Harmonix Classics Super Multitrack Looper Guitar Effects Pedal at Musician’s. Electro-Harmonix Super Multi-Track Looper review. A digital looper with seeminglessly endless potential. £; $ A traditional second digital delay line is at the heart of the Electro-Harmonix Super Multitrack Looper (see Fig. 1), but this device offers.
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It is the brain, and is all about fingers and sports eleven neat little buttons along with seven sliders and nine little pots. Using the feet to start, stop and otherwise control the makes for a far more seamless investigation of it’s surprising depths, and is also essential for the whole ‘be your own band’ bit. For a bit of a special effect we press the reverse button, arm track 4 and record two or three chords along with the backwards version of our masterpiece.
Then we bounce it all down to the mixdown track, freeing up tracks 1 to 4 for skanks, harmonics, palm-muted chugs and so on electro-hsrmonix so forth. Playing with the tempo control after the event is pretty fun too, the combination of that and the reverse button can create some pretty wild slices of sound.
The mixdown track can be isolated from the tempo controller, so tracks 1 to 4 can actually be played back alongside the mixdown at a different pitch and tempo, creating some pretty wild and crazy phasing and flanging effects along the way.
We then hit record to stop the and, because it is in quantize mode, it waits until the exact end of the nearest bar to stop, thus creating a perfect loop. You can also overdub back onto track 1 if you like. A looper with so much memory Flash Card permitting that you could record a whole song’s worth of multi-track on it in CD quality stereo sound.
In use Within a couple of minutes we had a rocking loop of about ten guitarists going – some going backwards and some playing at double speed! These parts can then be bounced down to the mixdown, making a stereo mix of all four tracks whose level is controlled by the mixdown fader. Image 2 of 2 The serves up endless looping options for guitarists and even DJs. One thing though – if they could only de-couple the tempo from the pitch Then we move to track 2 and record some funky rhythm chords.
Well, it saves lugging a computer around, which can’t be a bad thing, eh? This is limitless overdubbing, people – with a good deal of mix flexibility built in. E-H make some kick-ass pedals – most of which are analogue and owe much to their powers of distortion. Once you’ve mixed down, you can record a whole bunch of new stuff on tracks 1 to 4 that will play back alongside your mixdown. You turn the ‘dry out’ fader up so you can hear yourself, hit record and start playing.
After doing something else on track 2 you could stop, adjust the volumes of your two parts on tracks 1 and 2, then select track 3 hit record and so on until you have four parts. Or even better, a whole bunch of themselveses. Unfortunately there was a fluff in an otherwise perfect take, and because our loop is nearly a minute long we don’t want to play it all again, so we hit the punch-in button, hit play and then hit record when we need to drop in and fix the mistake. Not a delay machine that also loops, you’ll notice – just a looper.
Even in a guitar set up it can be an effect loop on the amp, meaning that you can use different guitar sounds for each part you record.
Electro-Harmonix Super Multi-Track Looper review | MusicRadar
Of course the can slot into lots of different places in your set-up. Pros Great sound quality, doesn’t degrade. We hit the octave button and the part halves in speed and lowers an octave to become the fat bassline we originally intended. Eventually there’s nothing else to record, so we plug in our USB cable and drag the new loop info from the to our desktop folder of loop projects, and load up a session from last week and have a look at that.
It looks funky, feels solid and the layout seems self-explanatory, so in the long-standing musician’s tradition of wasting time and developing bad habits, we decided to ignore the manual and pile straight in too suss it out ‘intuitively’.
Then we overdub again onto track 1 with the bottom string of the guitar to add an octave-up version of the bassline. This represents the maximum capability of some looper pedals, but with the you can repeat this infinite stacking on each of its four channels.
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It’s getting a bit late now, so we’re working from the headphone socket. Cons Tempo and pitch are linked.
What you previously recorded will not go away – you simply add another sound on top of it. The previous sounds will not degrade, you simply pile them up.
This is the basic operation of the – but electro-harmonjx a lot more. When you get to the end of what will be your loop you either hit record and the machine stops, or you hit play, the machine returns to the beginning and starts recording straight away on track 2. Image 1 of 2.
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Each of these tracks has a volume slider and a pan pot. Rather than list the additional functions, let’s imagine a possible looper session using just one guitar.
Next to these first four tracks is a fifth mixdown track to which you can mix down the contents of the first four tracks – complete with volume and pan changes.